Street theater is an expression of the dominate of digital transformation and the marginalization of the creative self within the atrical box

Abstract

1. Digital creativity based on the beauty of the image in its splendor and speed has contributed to the complete absence of the self and even its marginalization. Therefore, digital creations are nothing but a blatant invitation to go along with an apparent, elegant and glamorous image. It is a clear and clear expression of the sediments, concerns and aspirations that simmer in the depths of man. Especially since it is haunted by the obsession with permanent creative action, to search for excellence and anticipate a future full of innovation, away from everything that would make the artistic work in theater alienated from the Arab self in general, and the centrality of the human being to ensure his dignity and continuity in particular. But no matter how new the technology that has invaded the theater, it will not go beyond developing the aesthetics of the image, and more precisely, it will not be able to touch the spirit and essence of art.